This chapter shall be known and may be cited and referred to as the historic preservation ordinance of the town of Mesilla.
(Ord. 2008-02 § 1; Ord. 2011-03)
SPANISH PUEBLO | |||||
Design standards with compliance checklist for the Spanish Pueblo architectural style. | |||||
When completing a checklist, applicants shall circle all the components within individual items that apply to their application and annotate their responses as needed. If a component is not required and does not apply to the application, it should be marked “n/a.” | |||||
A “1” in parentheses after a component indicates that staff will figure an appropriate range for proportion or size, location or number, etc., based on the development zone of the structure. Drawings and photographs to further illustrate components are available in the community development office. | |||||
COMPLIANCE | |||||
YES | NO | ||||
Design Components | |||||
Building Height: One or two stories, to be determined by development zone. | _____ | _____ | |||
Setback: For commercial usage, can be built to property line; for residential, meets prevailing setback in the development zone. | _____ | _____ | |||
Proportion, relationship of height to length: Buildings are long and low (1). | _____ | _____ | |||
In the case of a two-story application of this style, the second level occurs over only a portion of the lower level. | _____ | _____ | |||
The overall proportion of the building is dependent in part on the height of the firewall or parapet which is a continuation of the exterior walls extending beyond the roof line on three or more sides (1). | _____ | _____ | |||
Walls, historically, are reduced in thickness towards the top to form a battered silhouette. | _____ | _____ | |||
Portales or porches, if used, create a lower profile than the basic building (1). | _____ | _____ | |||
The character of the building’s shapes is rounded or softened without sharp lines. | _____ | _____ | |||
Pattern and Rhythm | |||||
Solid wall space is greater in any facade than window and door space combined (1). | _____ | _____ | |||
Window and door openings are small and randomly, not symmetrically, placed on the facades. | _____ | _____ | |||
Window heights from grade are uneven. | _____ | _____ | |||
Canales, or drainspouts, pierce the parapet and are spaced in an uneven pattern as required for drainage. | _____ | _____ | |||
Number | Proportion | Size | |||
Doors | ___________________________________ | ||||
Windows | ___________________________________ | ||||
Gates | ___________________________________ | ||||
Walls | ___________________________________ | ||||
COMPLIANCE | |||||
YES | NO | ||||
Roof Type | |||||
Flat with a slight slope for drainage. | _____ | _____ | |||
Parapet or firewall: roofs are surrounded on at least three sides by a parapet or firewall. | _____ | _____ | |||
Surface Texture of Walls | |||||
Mud plaster. Hard plaster, smoothly applied, is acceptable. | _____ | _____ | |||
Color | |||||
Exterior walls must be of a same single color. Acceptable colors are those of natural adobe, ranging from a light earth color to a dark earth color. Flat white is also acceptable. (See color charts) | _____ | _____ | |||
The protected space under portales may be painted white or a contrasting color or a mural may be used. | |||||
Site Utilization | |||||
Follows development zone. Historically, examples of this style are seen most often in a rural setting or with setbacks if sited in an urban location. | _____ | _____ | |||
Projections and Cavities | |||||
Historically, windows are usually deep set defining, from the exterior, the wall thickness. | _____ | _____ | |||
Wall heights vary according to room shapes or additions. | _____ | _____ | |||
Buttresses, fireplace outlines and chimneys are massive and important facade elements. | _____ | _____ | |||
Vigas, or beams, round or rectilinear, sometimes project through exterior walls or are sometimes cut flush with the unplastered adobe walls and plastered over for protection. | _____ | _____ | |||
Architectural Details | |||||
Wood trim is minimal around window and door openings with a rounding of the wall creating a transition from wall surface to window surface. | _____ | _____ | |||
Canales are built up of saw timber, hollowed out from logs, or sheet metal bent to shape, or ceramic pipe sections or other materials as long as they are encased in one of the above materials. | _____ | _____ | |||
Lintels above windows and door openings are exposed wood. | _____ | _____ | |||
Portales or covered porches, either inset or projecting, have posts of round logs capped with a corbel and square beams. | _____ | _____ | |||
TERRITORIAL | |||||
Design standards with compliance checklist for the Territorial architectural style. | |||||
When completing a checklist, applicants shall circle all the components within items that apply to their application and annotate their responses as needed. If a component is not required and does not apply to the application, it should be marked “n/a.” | |||||
A “1” in parentheses after a component indicates that staff will figure an appropriate range for proportion or size, location or number, etc., based on the development zone of the structure. Drawings and photographs to further illustrate components are available in the community development office. | |||||
COMPLIANCE | |||||
YES | NO | ||||
Design Components | |||||
Building Height: Usually one story; however, each case will be determined individually by the development zone. | _____ | _____ | |||
Setback: Varies according to the development zone. Historically, in urban/commercial settings, territorial buildings were built on or close to the property line with front facades occupying the entire lot frontage and entrances directly off the street. In rural residential settings, territorial buildings generally have large front yard setbacks. | _____ | _____ | |||
Proportion, relationship of height to length. Buildings are long and low in proportion (1). | |||||
Historically, walls are usually two feet thick, but are sometimes two feet six inches thick to three feet in proportion to wall heights. | |||||
The overall proportion of the building is dependent in part on the height of a firewall or parapet, which is a continuation of exterior walls extending beyond the roof line on three or more sides (1). | _____ | _____ | |||
Portales or porches, if used, create a lower profile than the basic building. | _____ | _____ | |||
Pattern and Rhythm | |||||
Solid wall space is always greater in any facade than window and door space combined (1). | _____ | _____ | |||
Window placement on facades is regular and below center. | _____ | _____ | |||
Windows are of larger size with multi-paned glazing of individual panes no larger than 30 square inches (1). | _____ | _____ | |||
Canales or drainspouts are evenly spaced along the facades and, historically, are more fine and precise in appearance than those used in the Spanish Pueblo style. | _____ | _____ | |||
Number | Proportion | Size | |||
Doors | ___________________________________ | ||||
Windows | ___________________________________ | ||||
Gates | ___________________________________ | ||||
Walls | ___________________________________ | ||||
COMPLIANCE | |||||
YES | NO | ||||
Roof Type | |||||
Flat with a slight slope for drainage. | _____ | _____ | |||
Parapet or firewall: roofs are surrounded on at least three sides by a parapet or firewall. | _____ | _____ | |||
Surface Texture | |||||
Construction is of adobe but may be built of other materials simulating adobe. | _____ | _____ | |||
Walls are sharp edged with abrupt changes of wall direction. | _____ | _____ | |||
Walls, historically, are covered with mud plaster. Hard plaster or stucco, smoothly applied, colored or painted the color of natural adobe is acceptable. | _____ | _____ | |||
Color | |||||
Color may range from dark to light earth color. Flat white may also be used. In protected spaces under portales, white or a contrasting color or mural may be used. (See color chart) | _____ | _____ | |||
Site Utilization | |||||
Determined by development zone, size of site and intended use. | |||||
In areas of more dense development, high walls along with buildings set on the property line are used to enclose the lot for privacy and environmental protection. | _____ | _____ | |||
Projections and Cavities | |||||
Canales, or drainspouts, pierce the firewalls at the roofline to provide drainage. | _____ | _____ | |||
Windows are set flush with outside wall surfaces. | _____ | _____ | |||
Doorways are either flush or slightly recessed in the exterior walls. | _____ | _____ | |||
Portales, either inset or projecting, are light in effect, built of milled lumber of a scale and detail consistent with other wood elements of the building. | _____ | _____ | |||
Vigas do not usually project from exterior walls, although in the case of buildings of adobe that have been altered to achieve the territorial style, projecting or partially exposed vigas occur. | _____ | _____ | |||
Architectural Details | |||||
Firewalls are usually capped with a coping of fired brick or masonry. Sometimes the coping was added to a basic adobe building along with other details to achieve the style. | _____ | _____ | |||
Door and window openings are framed with milled wood in an American Colonial (Greek Revival) design. | _____ | _____ | |||
Doors are usually colonial but heavy paneled Spanish doors or appliqued doors are acceptable. | _____ | _____ | |||
Structural lintels above windows and door openings are not exposed. | _____ | _____ | |||
Metal or wood shutters are often used in conjunction with glazed windows. | _____ | _____ | |||
Portales should be built with a parapet, capped or not, as has the basic building. | _____ | _____ | |||
Buttresses, fireplace outlines and chimneys are usually not important facade elements. | _____ | _____ | |||
SPANISH MISSION | |||||
Design standards with compliance checklist for the Spanish Mission architectural style. | |||||
When completing a checklist, applicants shall circle all the components within items that apply to their application and annotate their responses as needed. If a component is not required and does not apply to the application, it should be marked “n/a.” | |||||
A “1” in parentheses after a component indicates that staff will figure an appropriate range for proportion or size, location or number, etc., based on the development zone of the structure. Drawings and photographs to further illustrate components are available in the community development office. | |||||
COMPLIANCE | |||||
YES | NO | ||||
Design Components | |||||
Building Height: To be determined by the development zone on a case-by-case basis. Historically, one or two stories with a vertical facade. In some cases the verticality is achieved primarily by the use of a false facade. | _____ | _____ | |||
Setback: In commercial usage, the building is sited on the front property line without setbacks. In residential usage, the buildings are sited with front, side and back yards. | _____ | _____ | |||
Proportion: The use of facade design elements suggesting towers and belfries creates a verticality of a kind not evident in the other styles in Mesilla. This verticality is illustrated by the commercial buildings. In residential usage this verticality is implied rather than physically stated. | _____ | _____ | |||
Pattern and Rhythm | |||||
Building surfaces are broken by applied or constructed openings. | _____ | _____ | |||
The arched tower and belfry opening is repeated in the design of door and window openings. | _____ | _____ | |||
In general, there are large areas of solid wall surfaces in relation to the openings created by windows and doors (1). | _____ | _____ | |||
Roof lines simulate the tower and belfry outline. | _____ | _____ | |||
Number | Proportion | Size | |||
Doors | ____________________________ | ||||
Windows | ____________________________ | ||||
Gates | ____________________________ | ||||
Walls | ____________________________ | ||||
COMPLIANCE | |||||
YES | NO | ||||
Roof Type | |||||
Angled, flat, or a combination of both. | _____ | _____ | |||
In the event that a roof is visible, the preferred surface material is Spanish tile. | _____ | _____ | |||
Surface Texture | |||||
Smooth stucco. | _____ | _____ | |||
Color | |||||
Usually white or earth walls with terra cotta tiled visible roof surfaces. (See color chart) | _____ | _____ | |||
Site Utilization | |||||
In commercial usage, usually built to property line with facade extending the length of the property frontage (1). | _____ | _____ | |||
In residential usage, the building is generally placed with front, side and back yards (1). | _____ | _____ | |||
Landscaping is very formally arranged, with walls and arches reflecting the character of the basic building. | _____ | _____ | |||
Projections | |||||
Windows and doorways are typically deeply recessed in arched openings. | _____ | _____ | |||
Portales and covered walks are supported by arches. | _____ | _____ | |||
Arched or simple buttresses are used. | _____ | _____ | |||
Architectural Details | |||||
Arches, iron grilles or railings, carved doors, partially or completely rounded windows, ornate metal hardware and ceramic tile are used in the Spanish Mission style. | _____ | _____ | |||
NORTHERN NEW MEXICO | |||||
Design standards with compliance checklist for the Northern New Mexico architectural style. | |||||
When completing a checklist, applicants shall circle all the components within items that apply to their application and annotate their responses as needed. If a component is not required and does not apply to the application, it should be marked “n/a.” | |||||
A “1” in parentheses after a component indicates that staff will figure an appropriate range for proportion or size, location or number, etc., based on the development zone of the structure. Drawings and photographs to further illustrate components are available in the community development office. | |||||
COMPLIANCE | |||||
YES | NO | ||||
Design Components | |||||
Building Height: Usually one story; however, each case will be determined individually by the development zone. | |||||
The use of two stories would require the use of the angled roof as an attic or otherwise part of the second story. | _____ | _____ | |||
Setback: There is no typical setback distance used, therefore the setback of the development zone would prevail. | _____ | _____ | |||
The application of this style is generally in a rural setting. Certain buildings in the commercial area of Mesilla exhibit this style of building set on the property frontage. | _____ | _____ | |||
Proportion: There is a marked division between the roof and exterior walls. The proportion of the exterior walls, usually of adobe construction, is long and low but verticality is achieved by the added angled roof (1). Roof angles are sharp but rarely reaching an angle of 45 percent off the horizontal (1). | _____ | _____ | |||
Pattern and Rhythm | |||||
The facades of these buildings are simple with few window openings of small overall size (1). | _____ | _____ | |||
Doorways are numerous predicated on the pattern of construction and additions to the basic construction (1). | _____ | _____ | |||
Number | Proportion | Size | |||
Doors | _____________________________ | ||||
Windows | _____________________________ | ||||
Gates | _____________________________ | ||||
Walls | _____________________________ | ||||
COMPLIANCE | |||||
YES | NO | ||||
Roof Type | |||||
The most significant style element is the angled roof of corrugated metal. It is used in either the hipped or pitched configuration. The hipped roof is angled from four sides with a ridge line shorter than the length of the building. The pitched roof is angled from two sides. The use of the pitched roof makes necessary a filler for the triangular area at the ends of the building created by the addition of the pitched roof. | _____ | _____ | |||
Surface Texture | |||||
Surface texture is of adobe or simulated adobe construction with or without mud or hard plaster. | _____ | _____ | |||
Color | |||||
White or earth color. (See color chart). | _____ | _____ | |||
Site Utilization | |||||
These buildings in the commercial area utilize most of the available site space. | _____ | _____ | |||
In the more open, rural parts of Mesilla, these buildings are sited in varying ways depending on overall site usage and the development zone. | _____ | _____ | |||
Projections and Cavities | |||||
Portales or covered porches are roofed with the same basic roofing materials. | _____ | _____ | |||
Portales are sometimes beneath extensions of the overall roof. In this case the angle of the basic roof is continued or broken slightly as required. | _____ | _____ | |||
Portales are sometimes enclosed with screens. | _____ | _____ | |||
Roof overhangs are generally minimal. | _____ | _____ | |||
Architectural Details | |||||
Windows, doors, columns, chimneys and buttresses are similar to those found in other adobe based buildings. | _____ | _____ | |||
RANCH STYLE | |||||
Design standards with compliance checklist for the Ranch architectural style. | |||||
When completing a checklist, applicants shall circle all the components within items that apply to their application and annotate their responses as needed. If a component is not required and does not apply to the application, it should be marked “n/a.” | |||||
A “1” in parentheses after a component indicates that staff will figure an appropriate range for proportion or size, location or number, etc., based on the development zone of the structure. Drawings and photographs to further illustrate components are available in the community development office. | |||||
COMPLIANCE | |||||
YES | NO | ||||
Design Components | |||||
Building Height: To be determined on a case-by-case basis based on the development zone. | |||||
Historically, single story although two-story additions or complete two story buildings occur. | _____ | _____ | |||
Setback: Front yards are typical. | _____ | _____ | |||
Ranch styles are not built to the property line and the setback of the development zone would prevail. | _____ | _____ | |||
Proportion: Generally low and sprawling. | _____ | _____ | |||
The pitched or angled roof sometimes creates an appearance of verticality. | _____ | _____ | |||
Pattern and Rhythm | |||||
The character of this design element is generated by large picture windows, covered walkways or connecting overhead structures, the use of many windows, steps up to raised foundations, abrupt changes in facades which reflect the varying sizes of inner spaces or additions and a pattern sometimes created by changes in material. | _____ | _____ | |||
Number | Proportion | Size | |||
Doors | ___________________________ | ||||
Windows | ___________________________ | ||||
Gates | ___________________________ | ||||
Walls | ___________________________ | ||||
COMPLIANCE | |||||
YES | NO | ||||
Roof Type | |||||
Roofs are pitched, angled, or shallow hipped. | |||||
The use of prefab trusses on site of construction to achieve the angled roof is the typical technique. | _____ | _____ | |||
Roofs are usually built with large overhangs (1). | _____ | _____ | |||
The thickness of the roof is exaggerated by the addition of trim material. | _____ | _____ | |||
Roofs are usually finished with shingles either of roofing paper or wood. | _____ | _____ | |||
Roof types are pitched or shed with frequent intersections at changes in building plan. | _____ | _____ | |||
Surface Texture | |||||
Ranch styles in Mesilla exhibit a variety of surface textures: brick, concrete block, stone, various kinds of siding, unplastered or plastered adobe and simulated adobe. | _____ | _____ | |||
The individual Ranch style buildings or structures sometimes have a variety of finishes or textures due to veneers and additions. | _____ | _____ | |||
Color | |||||
The Ranch style has no typical color. Due to construction, detail and use of veneers, a variety of colors are possible within an individual building. | _____ | _____ | |||
Site Utilization | |||||
In Mesilla, Ranch style houses are usually outside the more densely developed older areas of the town. | _____ | _____ | |||
Being a recent style, it is usually used in typical subdivision fashion. | _____ | _____ | |||
Landscaping is controlled by fencing and walks. | _____ | _____ | |||
Many ornamental plants and trees and large lawns create a green surrounding for the Ranch style house. | _____ | _____ | |||
Projections and Cavities | |||||
More change of surface is shown by additions, garages, breezeways, covered entrances, manmade shade structures, roof overhangs and raised entrances with steps than in the other styles existing in Mesilla. | _____ | _____ | |||
Architectural Details | |||||
Simple construction and basic design is evident in the Ranch style house. | |||||
Windows and doors are manufactured items. | |||||
Trim is simple and varied. | |||||
Scalloped edges, trellises and wood moldings are used. | _____ | _____ | |||
STANDARDS FOR PRESERVATION | |
A. | A property will be used as it was historically, or be given a new use that maximizes the retention of distinctive materials, features, spaces and spatial relationships. Where a treatment and use have not been identified, a property will be protected and, if necessary, stabilized until additional work may be undertaken. |
B. | The historic character of a property will be retained and preserved. The replacement of intact or repairable historic materials or alteration of features, spaces and spatial relationships that characterize a property will be avoided. |
C. | Each property will be recognized as a physical record of its time, place and use. Work needed to stabilize, consolidate and conserve existing historic materials and features will be physically and visually compatible, identifiable upon close inspection and properly documented for future research. |
D. | Changes to a property that have acquired historic significance in their own right will be retained and preserved. |
E. | Distinctive materials, features, finishes and construction techniques or examples of craftsmanship that characterize a property will be preserved. |
F. | The existing condition of historic features will be evaluated to determine the appropriate level of intervention needed. Where the severity of deterioration requires repair or limited replacement of a distinctive feature, the new material will match the old in composition, design, color and texture. |
G. | Chemical or physical treatments, if appropriate, will be undertaken using the gentlest means possible. Treatments that cause damage to historic materials will not be used. |
H. | Archeological resources will be protected and preserved in place. If such resources must be disturbed, mitigation measures will be undertaken. |
STANDARDS FOR REHABILITATION | |
A. | A property will be used as it was historically or be given a new use that requires minimal change to its distinctive materials, features, spaces and spatial relationships. |
B. | The historic character of a property will be retained and preserved. The removal of distinctive materials or alteration of features, spaces and spatial relationships that characterize a property will be avoided. |
C. | Each property will be recognized as a physical record of its time, place and use. Changes that create a false sense of historical development, such as adding conjectural features or elements from other historic properties, will not be undertaken. |
D. | Changes to a property that have acquired historic significance in their own right will be retained and preserved. |
E. | Distinctive materials, features, finishes and construction techniques or examples of craftsmanship that characterize a property will be preserved. |
F. | Deteriorated historic features will be repaired rather than replaced. Where the severity of deterioration requires replacement of a distinctive feature, the new feature will match the old in design, color, texture and, where possible, materials. Replacement of missing features will be substantiated by documentary and physical evidence. |
G. | Chemical or physical treatments, if appropriate, will be undertaken using the gentlest means possible. Treatments that cause damage to historic materials will not be used. |
H. | Archeological resources will be protected and preserved in place. If such resources must be disturbed, mitigation measures will be undertaken. |
I. | New additions, exterior alterations or related new construction will not destroy historic materials, features and spatial relationships that characterize the property. The new work shall be differentiated from the old and will be compatible with the historic materials, features, size, scale and proportion and massing to protect the integrity of the property and its environment. |
J. | New additions and adjacent or related new construction will be undertaken in such a manner that, if removed in the future, the essential form and integrity of the historic property and its environment would be unimpaired. |
STANDARDS FOR RECONSTRUCTION | |
A. | Reconstruction will be used to depict vanished or nonsurviving portions of a property when documentary and physical evidence is available to permit accurate reconstruction with minimal conjecture, and such reconstruction is essential to the public understanding of the property. |
B. | Reconstruction of a landscape, building, structure or object in its historic location will be preceded by a thorough archeological investigation to identify and evaluate those features and artifacts which are essential to an accurate reconstruction. If such resources must be disturbed, mitigation measures will be undertaken. |
C. | Reconstruction will include measures to preserve any remaining historic materials, features and spatial relationships. |
D. | Reconstruction will be based on the accurate duplication of historic features and elements substantiated by documentary or physical evidence rather than on conjectural designs or the availability of different features from other historic properties. A reconstructed property will re-create the appearance of the nonsurviving historic property in materials, design, color and textures. |
E. | A reconstruction will be clearly identified as a contemporary re-creation. |
F. | Designs that were never executed historically will not be constructed. |
STANDARDS FOR RESTORATION | |
A. | A property will be used as it was historically or be given a new use which reflects the property’s restoration period. |
B. | Materials and features from the restoration period will be retained and preserved. The removal of materials or alteration of features, spaces and spatial relationships that characterize the period will not be undertaken. |
C. | Each property will be recognized as a physical record of its time, place and use. Work needed to stabilize, consolidate and conserve materials and features from the restoration period will be physically and visually compatible, identifiable upon close inspection and properly documented for future research. |
D. | Materials, features, spaces and finishes that characterize other historical periods will be documented prior to their alteration or removal. |
E. | Distinctive materials, features, finishes and construction techniques or examples of craftsmanship that characterize the restoration period will be preserved. |
F. | Deteriorated features from the restoration period will be repaired rather than replaced. Where the severity of deterioration requires replacement of a distinctive feature, the new feature will match the old in design, color, texture and, where possible, materials. |
G. | Replacement of missing features from the restoration period will be substantiated by documentary and physical evidence. A false sense of history will not be created by adding conjectural features, features from other properties or by combining features that never existed together historically. |
H. | Chemical or physical treatments, if appropriate, will be undertaken using the gentlest means possible. Treatments that cause damage to historic materials will not be used. |
I. | Archeological resources affected by a project will be protected and preserved in place. If such resources must be disturbed, mitigation measures will be undertaken. |
J. | Designs that were never executed historically will not be constructed. |